| ES | hiss 
i 1 9 + 5 Se. 2 / ® CO i an 

‘ Jan.14 NO iy ee 

| NeAnB } 


i 


w / — Fodern Etchings 
Engrabings 
and Messotinis Brinted tn Color 


Chiefly the Collection of 
the late 


Henry A. Bateman 


of Baltimore, fy. 


€ 


The Anderson Galleries 
Madison Abewue at fortieth Street 
| Ret works 


He gatas al ® ate 


Pr Me em et et 


Na PA nae ree 


: 
: 


Spasms 


HEDLEY FiTtTon. 


CHURCH OF THE THREE KINGS. 


(See No. 110.) 


fFAlodern Ctchings 
Engrabings | 
aid MDessotints Wrinted t1 Color 


CHIEFLY FROM THE COLLECTION OF THE LATE 


Henry @. Bateman 


OF BALTIMORE, MD. 


” 


*““COUNTESS GROSVENOR,” FIRST STATE, ‘‘ AGE OF INNOCENCE,” SECOND STATE, 
AND ‘‘SIMPLICITY’’ AMONG TEN MEZZOTINTS OF SAMUEL COUSINS, MANY OF 
WHICH ARE SIGNED PRoorFs; THIRTY EARLY AND SELECTED IMPRESSIONS 
OF THE ETCHINGS OF HEDLEY FITTON, INCLUDING ‘‘ CHARTRES,”’ 
“St. MACLOU” AND THE SCARCE ‘‘ST. ANDREW’S CASTLE ; 
TWENTY-FOUR OF THE FINE CATHEDRAL PLATES OF 
AxEL Hare ‘‘ THE CELLAR’S BEST,” AND. THIRTY 
SIGNED PLATES BY DENDY SADLER; MEzzo- 

TINTS PRINTED IN COLOR BY MILLAR, 

EDWARDS, STEVENSON AND SKRIM- 

SHIRE ; ‘‘ NINA’ BY SYDNEY 
WILSON, ETC. 


PRESENTATION PROOFS FROM CHAMPOLLION, VYBOUD AND PERFETTI; Four 
ORIGINAL COLOR PRINTS BY GEORGE BAXTER; TWO SIGNED COLOR 
PRINTS AFTER D. Y. CAMERON; ‘‘CHILL OCTOBER” BY 
BRUNET-DEBAINES; DICKSEE’S ‘‘FLIGHT INTO 
- Keypt,” ‘‘CREST OF THE HILL,” ETc.; ETCH- 

Incs BY Max KLINGER, ETIENNE, 

BrsotT, SYNGE, BRANGWYN, 

Sir FRANK SHORT 


AND OTHER MODERNS WITH 


-‘SETs oF WILLIAM WALKER’S ‘‘ CAMBRIDGE COLLEGES,” AND APPLETON’S 
‘‘OrIES OF LONDON” AFTER WHEATLEY 


” 


TO BE SOLD 


THURSDAY AND FRIDAY EVENINGS 
JANUARY 14 AND 15, 1915 


AT $:15 o’cLocKk 


On Pusiic Exuisirion FRoM THURSDAY, JANUARY 7TH 


panel 


he Andergon Galleries 
Metropolitan Art Assoctatton —1\4\ 4! 


Mapison AVENUE AT FortTiETH STREET 
NEw York 


Conditions of Sale. 


1, All bids to be per Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to 
the good faith of all claims and his decision shall be final. He also re- 
serves the right to reject any fractional or nominal bid which in his 
judgment may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. : 

4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in de- 
fault of which the Metropolitan Art Association will not be responsible 
if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale, 

6. All lots will be exposed for public exhibition in The Anderson 
Galleries before the date of sale, for examination by intending pur- 
chasers, and the Metropolitan Art Association will not be responsible 
for the correctness of the description, authenticity, genuineness, or for 
any defect or fault in or concerning any lot, and makes no warranty 
whatever, but will sell each lot exactly as it is, without recourse. 
But upon receiving before the date of sale expert opinion in writing 
that any lot is not as represented, the Metropolitan Art Association will 
use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid. 
expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 

7. Terms Cash. Upon failure to comply with the above con- 
ditions any sum deposited as part payment shall be forfeited, and all 
such lots as remain uncleared after twenty-four hours from the con- 
clusion of the sale, will be re-sold by either private or public sale at 
such time as the Metropolitan Art Association shall determine, without 
further notice, and if any deficiency arises from such re-sale it shall be 
made good by the defaulter at this sale together with all the expenses — 
incurred thereby. This condition shall be without prejudice to the 
right of the Metropolitan Art Association to enforce the contract with 
the buyer, without such re-sale. 

8. We make no charge for executing orders for our customers and 
use all bids competitively, buying at the lowest price permitted by other 
_ bids. 

9. The Metropolitan Art Association will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers and 
packers. 


Che Anderson Galleries 


METROPOLITAN ART ASSOCIATION, 
MADISON AVENUE AT FORTIETH STREET, ~ 
TELEPHONE MurrAY HILu 7680. NEw YORK. 


_ Priced Copy of this Catalogue may be secured for $1.00 


TWE GETTY CENTER 
LIBRARY 


MODERN ETCHINGS, ENGRAVINGS 
AND MEZZOTINTS PRINTED IN COLOR 


CHIKFLY THE COLLECTION OF THE LATE 


Henry 4. Bateman 


OF BALTIMORE, MARYLAND 


FIRST SESSION. 


Thursday Evening, January 14, 1915, at 8:15 o’clock 


LOTS NOS. 1-161 


ANDREW F. AFFLECK. 
Contemporary Architectural Etcher, 
FLOWER MARKET, VENICE. Signed proof. 
No. 18 of 50 impressions on vellum paper. Plate 
destroyed. 
ST. MARKS, VENICE. Signed proof. 
Interior showing the Rose window. Vellum paper. 
THE SALUTE FROM THE SCIAVONE. — Signed 
proof. 
One of 105 proofs, untrimmed margins. 
ST. GERMAIN, L’AUXERROIS, PARIS. Signed 
proof. 
Arched entrance. Only 60 impressions and the plate 
destroyed. One of the most beautiful plates of the 
artist. 
THE LOGGIA, SIENA. Signed proof. 
Only 40 impressions and the plate destroyed. 


ST. GISORS. Signed proof. 
Only 75 impressions and the plate destroyed. Show- 
ing the fine carving of the arched entrance. 

ST. EUSTACHE, PARIS. Signed proof. 
Only 75 impressions and the plate destroyed. 


11. 


12. 


13. 


14. 


15. 


THOMAS G. APPLETON. 


Contemporary Mezzotint Engraver. 
LADY HAMILTON AS AMBASSADRESS. After 
Romney. 
MerzzoTIntT. SigNep INpIA PRoor. 


CRIES OF LONDON. Signed proof mezzotints. (18) 


Set of thirteen complete, only 250 sets issued, India 
proofs, after the series by F. Wheatley. In a spe- 
cially made portfolio, leather back, corners and label. 


* These prints include ‘‘Primroses,’’ ‘‘Oranges,’’ ‘‘ Knives 
to Grind,’’ ‘‘Fresh Mackerel,’’ ‘Strawberries, ?? ‘*Milk Be- 
low,’? ete. 


LOVE’S BARRIER. After Heywood Hardy. 
Mezzotint. India proof signed by both. Large 
folio. 

HON. MRS. GRAHAM. After Gainsborough. 
MnzzoTint. SIGNED INDIA Proor. Large folio. 


P. J. ARENDSEN. 


THE SPENDTHRIFT. After Jan Steen. 
Signed remarque parchment proof. Only 25 issued. 


' T. L. ATKINSON. 


STELLA. After J. E. Millais. 
MezzotTint. India proof. 


GEORGE BAXTER: 1804-1867. 
The Inventor and Patentee of Oil-Colour Printing. 


RAPHAEL’S HOLY FAMILY. Lewis No. 234, 1848 
or 1849. Music sheet No. 4. 
The original issue in colors before the word ‘‘Bir- 
mingham’’ was inserted in the title; with gold bor- 
der, and dome top. 6x4. 


* From the Mockler Collection, as are the following three lots. 
THE GREAT EXHIBITION (Exterior). b. 162: 
1851. 


In colors, the plate for which Baxter received honor- 
able mention. Dome top, title cut away. 1234 x olf. 


4 


6: 
\) 
i 
’ Be: 
», YF, 
~~ ee 
Vy I 
te 
SO 


GEORGE BAXTER—Cont/inued. 


THE GREAT EXHIBITION (Interior).. L. 163. 
BL SOL. 
In colors. Showing the great glass fountain play- 


ing. Dome top, title cut away. 1214x514. 


GEMS FROM THE GREAT EXHIBITION. No. 3. 
L. 168. 1852, 


In colors. Showing ‘‘The Greek Slave.’’ 914 x 434. 


EUGENE BEJOT. 


Contemporary French Etcher, whose specialty is views of Paris and whose 


ass 


27. 


\y 


work is described by Bourcard as ‘‘sincere and interesting.’’ 
‘ 


LE PONT ST. PAUL-ST. LOUIS. Signed proof. 


Beautifully printed on paper specially prepared and 
bearing Béjot’s water-mark. 


QUAI DE CONTI, PARIS. Signed proof. 
Etched in 1909. 

LA SEINE AU PONT MARIE. Signed proof. 
Only 50 published. 


LE QUAI DE BETHUNE. Signed proof. 
Only state, only 50 proofs taken. 


PONT DE L’ARCHEVECHE. Signed proof. 
Etching issued in 1908. 
LE PONT MIRABEAU. Signed proof. 


LE PONT ROYAL. Signed proof. 
On Béjot’s paper with his water-mark, fine impres- 
sion with untrimmed margins. 


VIADUCT D’AUSTERLITZ. Signed proof. . 


LE PONT ST. NICHOLAS. Signed proof. 
On Béjot’s paper with his water-mark; proof with 
untrimmed margins, one of only 50 issued. 


M. P. BELTRAND. 


PHYLLIS. Signed proof. 
Mezzotint printed in colors. 
. 5 


Folio, gilt frame. 


nd 


28. 


29. 


30. 


ol. 
32. 
33. 


34. 


39. 


36. 


G. BIOT. 


AGLAE. Line engraving after Cabanel. 
India proof signed by Cabanel. Only 110 issued. 


CHARLES BIRD. 


LA BELLE FERRONNIERE. After Da Vinci. 
SIGNED PROOF PRINTED IN coLors. 4to. Dull gold 
frame. 


ROSA BONHEUR: 1822-1899. 


Celebrated French Animal Painter. 


THE HORSE FAIR. After Bonheur. 
India Proof engraved by Thos. Landseer, with stamp 
of the Printsellers’ Association. Very large oblong 
folio, framed (no glass). 

MATERNAL LOVE. Engraved by Jos. B. Pratt. 
Medallion (sheep). Printed on satin and signed by 
Bonheur and the engraver. Framed. 


CATTLE AT NOON. 
ORIGINAL LITHOGRAPH BY Rosa BoNHEUR. Signed 
India proof. 4to. 


SHEEP RESTING. 
ORIGINAL LITHOGRAPH BY Rosa BoNHEUR. Signed 
India proof. 4to. 


COW AND YOUNG CALF. 
ORIGINAL LITHOGRAPH BY Rosa BoNHEUR. Signed 
India proof. 4to. 


FELIX BRACQUEMOND: 1833-1914. 


OLYMPE. After Edouard Manet. 
Etching, proof. Sm. folio. 


FRANK BRANGWYN. 
Contemporary English Etcher. 


BEGGAR MUSICIANS. Signed proof. 4to. 
Impression on toned paper with untrimmed mar- 
gins. An etching in the style of Manet or Goya. 


6 ° 


45. 


‘FRANK BRANGWYN—Coxtinued. 


GATE AT NAPLES. Etching. 
SIGNED PROOF. Very large folio, printed in greenish 
ink, 

BARGES, BRENTFORD. Etching printed in brown. 
SIGNED PROOF on Van Gelder paper. Small folio. 

FISHMONGER’S HALL. Etching. 
SIGNED PROOF. ‘Small 4to. 

MARKET SQUARE. MONTREUIL. Etching. 
SIGNED PROOF. Small 4to. 


H. SCOTT BRIDGWATER. 
Contemporary Engraver in Mezzotint. 
MRS. THORNTON. After Lawrence. 
Three-quarter length seated in a landscape. Signed 
India proof, only 300 impressions and the plate de- 
stroyed. 
MRS. CUNLIFFE OFFLEY. After Lawrence. 
Seated in a landscape with spaniel. Signed Proof. 
MISS PAPENDIEK. After Hoppner. 
As a child, nearly three-quarter length standing. 
Signed Proof on India paper. 
SCHOOL DAYS. After Luke Fildes. 
Girl, half length. First srare on INDIA PAPER, 
signed by both artists. 
LADY MILDMAY AND CHILD. After Hoppner. 


Full length standing on a balcony. Signed India 
Proof. Large folio. 


A. BRUNET DEBAINES. 


Borne at Havre in 1845, pupil of Lalanne and Jacquemart. 


CHILL OCTOBER. After Sir J. E. Millais. 
Artist’s proof on vellum paper signed by Millais and 
the etcher. Obl. folio. VERY SCARCE. 
THE BEND IN THE RIVER. Painter etching. 
Signed Artist’s Proof on parchment. Folio. 
GLIMMERING LIGHT. After B. W. Leader. 
Japan Proof signed by both. Large folio. 
7 


49. 


50. 


51. 


52. 


53. 


04. 


59. 


56. 


D. Y. CAMERON. 


DARK ANGERS. Color print after Cameron. 
InpIA PROOF SIGNED BY CAMERON. Folio. 


WHITBY. Color print after Cameron. 
INDIA PROOF SIGNED BY CAMERON. Folio. 


E. CHAMPOLLION: 1848-1901. 


UN REVE. After Chaplin. 4to. 1886. 


Remarque. proof on vellum paper, very delicately 
etched and with a presentation inscription from 
Champollion. 


W.S. CHATTOCK. 


THE FAN. Etching on Japan paper. 
THE KISS by Linden. Colorgravure. (2) 


THEOPHILE CHAUVEL. 
Contemporary French Etcher. 


LOCH KATRINE: THE SILVER STRAND. After 
J. MacWhirter. 


-Artist’s Proof on parchment signed by Chauvel and 
MacWhirter. Folio. 
BANKS OF THE THAMES, SHILLINGFORD. After 
B. W. Leader. 
Artist’s Proof on parchment, signed by both. 


VILLE D’AVRAY. Etching after Corot. 
Signed Japan Proof of 200 issued. Folio. 


F. S. CHURCH. 


A SONG (Tiger and Bird). 
Painter Etching. Sm. 4to, framed. With two small 
pictures of Monks, in colors, in one frame. Baby 
Stuart, mezzotint, defaced plate (unframed). (3) 


8 


ROBERT S. CLOUSTON. 
57. HON. MRS. GRAHAM. Full length after Gainsbor- 


ough. 
b Signed Proof on Japan of 150 issued. Folio. 
bh 7 ; 
J 
JAMES CONNELL & SON. 
58. YARD OF AN INN. Painter Etching. 
‘ bh, YS Presentation Proof. Sm. 4to. Framed. 


M. CORMACK. 


Contemporary Mezzotint Engraver. 


59. MISS FARREN (Lady Derby). After Lawrence. 
A ay 7 The celebrated portrait. Full length in a landscape. 
(hs A Artist’s Proof on India paper signed by Cormack. 
\ Large folio. 
/ 60. COUNTESS GOWER AND DAUGHTER. After Law- 
rence. 


) i/ India Proof signed by Cormack. Large folio. 


SAMUEL COUSINS: 1801-1887. 


‘“Samuel Cousins was endowed with great talents; and has left behind 
him a series of brilliant mezzotints which collectors will prize and all 
who see them will enjoy.’’—Whitman. 


61. SIMPLICITY (Theophila Gwatkin, niece of Sir Joshua 
Reynolds). After Reynolds. W. 78. 


A little girl seated in a landscape, wearing a mob 


, ly cap, low and short sleevs, profile to left. 
* SIGNED ARTIST’S PROOF BEFORE LETTERS on India paper. 
Very rare. 
_ 62. AGE OF INNOCENCE. After Reynolds. W. 226. 
ie A little girl seated in a landscape, hair tied with 
(,0 ribbon, bare feet, profile to right. 
* SECOND STATE SIGNED BY THE ARTIST. Artist’s Proof on 


India paper. 
68. PRINCESS SOPHIA MATILDA OF GLOUCESTER. 
After Reynolds. W. 149. 
a A baby lying on the grass with a dog. 
* ArTIsT’s PROOF ON INDIA PAPER SIGNED BY COUSINS. 
9 


tad 
XS 


64. 


65. 


‘ 66. 


67. 


68. 


69. 


74. 


SAMUEL COUSINS—Continued. 
ZEYRA. After Lord Leighton. W. 208. 
A little girl, half length, wearing a hood and holding 
an apple. 
* ARTIST ’S PROOF ON INDIA PAPER, signed by Cousins and Sir 
Frederick Leighton. 
PLAYMATES. After H. Merle. W. 212. 


Child half length with kitten. Open letter proof, 
colored. ; 


NATURE (Emma and Laura Calmady). After Law- 
rence. W. 205. 
Two little girls in a circular frame. 
* PROOF BEFORE THE TITLE (4th of 5 states). 


ELIZABETH MARY, COUNTESS GROSVENOR. 
W. 77. 18385. After Lawrence. 

Half length, low-cut dress fastened with a jewel. 

* FIRST STATE. Exquisite Proof on India paper, before the 
title and before the plate was reduced. Very rare. Perfect 
condition. 

MARGUERITE, COUNTESS OF BLESSINGTON. 
W. 19. 1837. After Lawrence. 


Three-quarter length, seated, low dress and knot of : 


flowers. 
* First State. Fine impression in perfect condition. 
ROSA BONHEUR. W. 21. (1858) After EH. Dubufe. 


Three-quarter length, standing, right: arm on the 
shoulders of a young bull. 


* TRIAL PROOF UNDESCRIBED BY Warne without imprint 
or title. Superb impression on India paper. 


MATER DOLOROSA. After Goodall. W: 192. 


* ARTIST’S PROOF ON INDIA PAPER SIGNED BY GOODALL. 


MATER PURISSIMA. After Goodall. W. 198. 

* ARTIST’S PROOF ON INDIA PAPER SIGNED BY GOODALL. 
THE LITTLE POUTER. After Greuze. 

Very fine signed India Proof mezzotint 4to, 1880. 
NO! Mezzotint after Sir J. E. Millais. 


Open letter proof on India paper. Folio. 
* Portrait of Dorothy Tennant. 


T. HAMILTON CRAWFORD. 


THE MINUET. After Zoffany. Signed India Proof. 
MezzoTiInt IN couors. Limited issue, plate de- 
stroyed. 

10 


79. 


80. 


82. 


EUGENE DE BLAAS. 


VEXATION. ENGAGED. Two pieces. 
Signed India Proofs after De Blaas. Folio. (2) 


MATHILDE DE CORDOBA. 
Contemporary French Etcher. 


THE VISIT. Signed Proof. 
Charming etching of a little girl, seated. Printed 
in colors. India Proof. 

THE QUARREL. Signed Proof. 


A little girl, very unhappy. Printed in colors. 
Folio. 


HERBERT DICKSEE. 


THE KING WATCHES (Lion, mate and cubs). After 
Rosa Bonheur. 


Ktching: Very fine signed parchment proof. Folio. 


THE CREST OF THE HILL. 
Etching. Fine signed remarque parchment proof. 
Folio. 

BEAUTY AND THE BEAST (Two Dogs). 
The two etchings mounted in one frame, both signed 
proofs. 

TOM, DICK AND HARRY. Three signed proofs. 
Greyhound mounted between heads of lion and tiger, 
in one frame. 


FLIGHT INTO EGYPT. After S. H. Vedder. 
Etching. Parchment proof signed by both artists. 
Oblong folio. 


* Lion and his mate retreating, the Holy Family on a slight 
rise in the distance. Fine early print published in 1900. 


THE PARTING WAYS. Signed parchment proof. 
Ploughboy on a bridge, girl with faggots. Folio. 


. ROUSED. Lion and his mate. Folio. 


PEACE (Lioness and cubs drinking). Etching. 
Artist’s Signed Proof on parchment. Oblong folio. 
i 


+) 


<i 


We Ae 


HERBERT DICKSEE—Continued, 
PLAY (Two Leopards). 
ARTIST’S SIGNED PARCHMENT PrRooF. Folio. 


CINDERELLA. Signed Parchment Proof. Folio. 


LUCKY DOG. Signed Parchment Proof. 
Child feeding a dog; six geese approach. 


LUCKY DOG. Japan Proof. 


ANXIOUS HEARTS (Lady with dog). Japan Proof. 
Folio. 


THE LITTLE GYPSY. Japan Proof. Large folio. 
MATERNAL CARE (Lioness and cub). Oblong folio. 
THE HAPPY MOTHER. Dog and seven puppies. 


ROBERT DUNKARTON. 
English Engraver, born in 1745. 


MARY STUART AND LORD DARNLEY. After 
Elstrake. 


Mezzotint, Open Letter Proof, full margins. Sm. 
folio. 


S. ARLENT EDWARDS. 


The most noted of contemporary Mezzotint Engravers and Color 


Printers. All of his prints are issued in limited 
numbers and the plates defaced. ‘ 


sf 95. SIMONETTA VESPUCCI. After Pollajuolo. 


SIGNED ARTIST’S PROOF PRINTED IN COLORS. 


COUNTESS GROSVENOR. After Lawrence. 
SIGNED ARTIST’S PROOF PRINTED IN COLORS. Mounted. 


97. THE YOUNG PRINCESS. After Netscher. 


Ad 


974. LADY MULGRAVE. Sienep Proor after Gainsbor- 


SIGNED PROOF PRINTED IN COLORS. Small folio, deco- 
rative gilt frame. Plate destroyed. 


ough. | 
Half-length, oval, engraved and printed in colors. 
Sm. 4to, decorative gilt frame. Plate destroyed. 
12 


“a 


S. ARLENT E DWARDS—Continued. 


98. AUGUSTA SOPHIA, Daughter of George III. 


SigNED Proor after Gainsborough. Bust oa 
PRINTED IN coLorsS. Sm. 4to, gilt frame. Plate de- 
stroyed. 


99. NELL GWYNNE. Signed Proof after Lely. 


KG i Printed on china paper, colored. Sm. 4to, gilt — 
— WY frame. Plate destroyed. 


ADRIEN ETIENNE. 


One of the foremost of the modern French Etchers. 


GEORGE W. EVERY: 


Contemporary Engraver in Mezzotint. 


| ee VIOLA. After Sir Frederick Leighton. 


First Strate. India proof before letters signed by 
both artists. Considered to be one of the finest of 
the modern mezzotints. 


he. LUKE FILDES (After). , 
a 02. VENETIAN FLOWER GIRL. Signed proof on India. 


HEDLEY FITTON. 


a, English Artist, who excels in architectural and historical 
motives. These prints are fine impressions just as they 
came from the press with pes a margins. 


PARIS. Not in rerithonee! 


Interior of the Cathedral. Signed Proof Etching. 
eae oe Folio. 


seteriok of the Coiheiral Signed Proof Etching. 
Large Folio. | | Mi: 
_ * Showing the stained glass, unequalled in France. 


pie nbs, ove wr 


i x , ae i 13, 


HEDLEY FITTON— Continued. oy 
105.4@PONT ST. ETIENNE, LIMOGES. <a 
A magnificent etching of the bridge joining he ity 


b.7 of Limoges on either side the Vienne, showing the 
} ~ seven Gothic arches dating from the Thirtee nth G 
"166 ' tury. SIGNED Proor ETcHIne with etched signati 


as well. Folio, 1911. a ee 


106. RUE ST. ROMAIN, ROUEN. D. 21. 

| _ A street famous for the Archbishop’s Palace 
- which the death-warrant of Joan on Are was SI 

y SIGNED Proor. Folio. 


[te { 407. RUE ST. ROMAIN, ROUEN. No. 2 Not in] 
Voy / “ thorne. | 


& 
ng. WN The same Street, but a different “iene 
; - Proor. Large 4to. Considered one one be 
- the Fitton etchings. Reet ots 
| . 108. THE SHRINE OF EDWARD THE CONF. 
V4 4 WESTMINSTER. D. 31. | se PAE ES 
(7% (€°. Signed. Proof Etching. Folio, 1910; 0am 
a fn yo inte * Edward the Confessor founded Westminster on the 


an older church. 


109; -ST; ZGACCARIA, VENICH2 7p 22= 
~  Artist’s SIGNED PROOF. Showing the beau 


GUYENNE. D. 32. Par: 
Artisr’s SigNep Proor ErcuHine. a 
Church of the Thirteenth Cot in years 
pointed architecture. Folio, 1910. H 


pene Frontispiece. ) Coe ae r a Cie 


111.. BARGE BUILDERS, LIMEHOUSE. D. 8. 


J - Signep ARTIST’s PROOF ON HAND-MADE P. 
ay te quaint old riverside landing a and 
4 i" ‘ Regent’s Canal. 1905. ae 


ya 112, PONTE VECCHLO, FLORENCE. D. 93. 
A VERY FINELY PRINTED ARTIST’S PROOF 


«.° Frrton, of the oldest and most picturesq bridge in 
; y Florence. ; i a | 


6 : 14. 
Mae , 


HEDLEY FITTON—Coxtinued. 


113. ADVOCATES CLOSE, EDINBURGH. Not in Dun- 
ie thorne. 


“4 0 
Vy 7 f 4° A fine impression of this scarce painter etching. 
. SIGNED PROOF. 


__. Baree } 
114., 8. JACOPO, FLORENCE. D. 19. 
_ » SIGNED Proor. Only 100 proofs were issued and no 
°° prints.’ 
115. RUE DE L’HOTEL DE VILLE, PARIS. D. 3. 
SIGNED Proor of a print placed on permanent exhi- 
jo? “ bition in the Petit Palais. One of two specimens 
still remaining in Paris of a Fifteenth Century pri- 
vate house. 
eo pce DE L’>HORLOGE, TOURS. Not in Dunthorne. 
“ Stanep Proor. Only 300 impressions were taken. 


117. GATEWAY, GLASGOW UNIVERSITY. D. 27. 


| | -* ~SigNep Proor. The gateway of a building, the 
a ae a carved stones of which date from the Fifteenth Cen- 
tury. 


118. FLOWER MARKET, FLORENCE. D. 5. 


» «» A VERY FINE SIGNED Proor of the Mercato Nuovo. 
dy Searce early painter etching. 


mo enw PIROUBTTEH, PARIS.  D. 1. ° 1903. 
RARE EARLY SIGNED Proor, of one of the most his- 


Noa 4: 5S j toric districts of Paris. Small folio. 
¥4. 120. ST. ANDREW’S CASTLE IN THE KINGDOM OF in Oe 
FIFE. D. 35. Sc gnae ondtae nel 


on. 0 y 
; 150 proofs were issued and 50 of these were taken by | .- 
\ /” the members of the St. Andrews Golf Club, leaving 
only 100 impressions for circulation. VERY RARE 
SigNED Proor on soft Japan paper. 


121. RUE BARBETTE, PARIS. D. 26. 


_ Seene of the murder of the Duke of Orleans, 1407. 
56° Stenep Proor. Folio, 1909. 


122. THE RIALTO, VENICE. D. 11. 


The famous bridge built in the Sixteenth Century. 
vp* The Campanile of S. Bartolommeo is seen to the 
¥ right. SigNED Proor. 4to, 1905. 


15 


L& 7 128. ST. MACLOU, ROUEN. D. 29. 


HEDLEY FITTON—Coxtdinued. — 


ee The West Front, showing the five great sane : 
Beer ( 775) ing from the Fifteenth Century. Siagnep Pro 
| Folio. A print exhibited and much liked “tote Pa 


eae ee ay ST. ETIENNE, BEAUVAIS. D. 30. bi 


Sp cpnct se Church of Romanesque and Gothic Abohibectied 
2 7, the Fifteenth Century. SIGNED PROOF. Folio, oe 


a, 

. Y '§. HILAIRE, POITIERS. ‘D. 33. 
Hee 0-H The Tomb of the ae in the Nave. 
a fg fe ; 1910. 


ee Pps 5 nt * Printed ‘lightly to Dow the exquisite detail of oe 
lacing pillars and arches. 


Neo 0-7. ou of the a decorative spec 9 oe h: 
$.9-?. _ _y Architecture in Scotland, showing the: _ famo 
; (7 fh. “’prentice pillar’? SIGNED PROOF ON | 


("parma 1911. : 
poz D. 24. Gage 


| i. The Smithfield Gateway, dnune ee oa 
i Thirteenth Century. SIGNED PROOF. 
1909. 3 


128. JOHN KNOX’S HOUSE, EDINBURGH. ie bone 
On High ora not far from St. Giles, w e] 


Ae wer Gene’ printed of one of the most beautiful of Fit 
4- ings, » Foho; 1909; : aie aa 


129. THE RETURN OF THE HARVESTE 


Breton. ote “ 
| Vellum proof, with remarque eat of Bre to 
A en signed by Breton and Flameng. Cae 


FRENCH ETCHING. 
130. LE JOUJOU. Painter etching. 


. The full-length figure in colors; two s 
Sg women on the same plate. Signed wit 


16 


HESTER FROOD. 
Contemporary Etcher. 
GLOUCESTER CLOISTERS. Painter Etching. 
Signed proof on thin Japan paper. 4to. 


THE ROWS, CHESTER. Painter Etching. 
Signed proof on handmade paper. 4to. 


E. GAUJEAN. 
THE RIVALS. 


"TWAS THE FIDDLER PLAYED IT WRONG. 
Etchings after R. Caldecott. Parchment proofs 
signed by Gaujean. Oval, sm. folio (2) 


LUCIEN GAUTIER. 
Modern French Etcher. 


SHADOWS OF EVENING. After Corot. 


Signed remarque proof on parchment. Oblong folio. 


THE FALLEN TREE. After Corot. 
Signed remarque proof on parchment. Oblong folio. 


F. GEORGES. 


‘LADY SCOTT. After Reynolds. Signed proof. 


MEZZOTINT PRINTED IN coLoRS. Nearly full length. 


H. T. GREENHEAD: After Hoppner. 


MISS STANTON. MeEzzoTINT PRINTED IN COLORS. 
India proof. 


AXEL HERMAN HAIG. 


Swedish Etcher whose work has received wide popularity; and who, 


138. 


A, 


according to Bourcard, ‘‘holds one of the first places 
among contemporary painter-etchers. ’’ 


THE WINDMILL. (Not seen by Armstrong.) 


The first etching executed by Haig, 1877. Signed 
proof on handmade paper. Sm, 4to. 


17 


139. 
\ /)> p/ 
140. 
per co W Wea Vey 
142. 
143. 
a 144, 
a, 145. 
ar 
\}s 146. 


149. 


AXEL HERMAN HAIG—Coxtinued. 


ST. MARK’S, VENICE. Madonna with a Musket. 


A. 183. 


+4 2Sm. folio, Signed proof. This and the three follow- 


\ \ 


of St. Mark’s. 


CHAPEL OF THE HOLY SACRAMENT. 


Signed Proof. 


CHAPEL OF ST. 


Signed Proof. 


’/ ing form a set of the etchings showing the Chapels 


A. 184. . \a\r 
Small folio, / g g q = Wh 
CLEMENT. A. 135.) 974. 
Small oblong folio. ‘wt 


Ag « 


THE BAPTISTERY. A. 186. 


Signed Proof. 


Small folio. 


WESTMINSTER ABBEY, NORTH PORCH (‘‘Solo- 


mon’s Porch’’). Armstrong 149. /£ g . ry 


/ 


/ (/ 


SIGNED Proor. Large folio. Fs ee ll 


MONREALE CATHEDRAL, SICILY. Not in A. 


SIGNED PROOF. 


Interior. Large folio. 


ALCAZAR, SEGOVIA. A. 51. 


SIGNED PROOF. 


Margin repaired. Large folio. 


CEFALU CATHEDRAL. A. 141. 


SIGNED PRooF ON VELLUM PAPER of an old Norman 
Cathedral. Large folio. 


LEGEND OF THE BELLS. A.115. Only 250 issued. 


SIGNED PROOF. 


5, as 
toward the Madonna. Large folio. lye é 
AMIENS CATHEDRAL. Norra CHancen Atsim. 


Not in A. 


The chancel Screen With “heavily 288 figures. 


SIGNED PROOF. 


SALAMANCA. Monument etched in 1909. Not in A. 


SIGNED PROOF. 


SIGNED PROOF. 
folio. 


PULPIT, PALMA CATHEDRAL. Not in A. 1909. 


SIGNED PROOF. 


The chimes, as Angel cending, 
/ 


FOuio. 


Folio. 


150. ST. ETIENNE, BOURGES. Not in A. 1911. 
The sculptured outer doors. Obl. 


Oblong folio. 
18 


y 


% 


ee AXEL HERMAN HAIG—Continued. 
ioe  AhAB STUDENTS, CAIRO. A. 79.., el ) 

1S - Srenep Proor. Oblong folio. — ane 

153. “VERONA. THE SCALIGERE ee Not 
Pa in. oi ; re : ‘t Sp 2 

/ § Stanep Proor. Folio. 7” q a 


154. VERONA CATHEDRAL. THE PULPIT. A. 26. 


ad Pulpit S. Fermo Maggiore. Remarque proof No. 24, 
ee signed by Haig. Folio. 


__-'155. STOCKHOLM. FLOATING MARKET. A. 61. 


fe SIGNED Proor, only 350 issued and plate Mesnard, 
fi CO MLOS+.$ 


° 156. EAST AMBULATORY, BURGOS. Not in A. 1909. 


; wy, SIGNED Proor. Folio. | 
57, FOUNTAIN OF ST. GHORGE (Rothenberg, Bavaria). 
ior A. 47. 


| i In an old German Medieval town. SIGNED PROOF. 
ge Folio, rare early etching dating from 1888. 


158. CANTERBURY CATHEDRAL. A. 110, 1894. 


_, Showing the ruined Refectory. SigNep Poor on 
a JAPAN PAPER. Folio. 


we 


_/159. HILL TOWN, NAVARRE. A. 62. Sienev Proor. 
SIGNED Proor. Folio, not in Armstrong. 


. SignNep Proor. Large oblong folio, framed. 


‘19 


SECOND SESSION. 
Friday Evening, January 15, 1915, at 8:15 o'clock. 
LOTS NOS. 162-323. 


F. HALPIN. 


162. A. B. DURAND. Portrait, bust. 
Line engraving, by Halpin after the painting by C. 
L. Elliott. A very fine India proof before the title 
signed by A. B. Durand and the painter. Sm. folio. 


GERTRUDE HAYES. 
163. CANAL, HAMBURG. Painter Etching. 
Signed Proof. 
164. LUBECK. Painter Etching. 
Signed Proof. No. 6 of 31 impressions. 


165. The SHAMBLES, YORK. Painter Etching. 
Signed Proof. 


EK. M. HESTER. 


166. THE FRUIT BARROW. Signed Proof. 
MEZZOTINT PRINTED IN COLORS ON INDIA PAPER. 


WILLIAM HOLE. 


167. THE VATICAN. View of an aisle. 
Painter Etching. Signed Proof. Sm. folio. 


LESTER G. HORNBY. 
American Etcher whose work shows flexibility and charm. 
168. LONDON BRIDGE. Painter Etching. 


No. 1 of 50 impressions on toned Japan paper. 
Signed Proof. Plate destroyed. 


20 


LESTER G. HORNBY—Continued. 


169. LONDON BRIDGE. Impression from the defaced 
plate. 


170. UN ETAMEUR, PASSAGE DU DRAGON. 


Signed proof of a charming painter etching. No. 1 
of 50 impressions on thin Japan paper. 


HENRY S. IHNEN. 
171. TRINITY CHURCH, NEW YORK. Shed: 


* Signed remarque proof, only 100 issued. 


CHARLES JACQUE. 


French Engraver and Painter born in 1813. 


172. INTERIEUR DE BERGERIEH. B. 445. Painter 
Etching. Guiffrey Supp. 246. 
VERY FINE ORIGINAL IMPRESSION: SIGNED PROOF ON 
TONED PAPER. Only 100 impressions were taken and 
the plate destroyed. FS 


* Called the masterpiece of Jacque’s last period, and described 
by Beraldi as ‘‘superb.’’? Known also as ‘‘ La Bergerie Bear- 
naise.’?’ 17% x 145% inches. 


ACHILLE JACQUET. 


173. OPHELIA. After Cabanel. 


Signed Proof on India paper by Jacquet. Very fine 
line engraving. Folio, gilt frame. 


JULES JACQUET. 


174. CHESS PLAYERS. After Meissonier. 


Remarque Proof Etching on vellum paper, signed by 
Jacquet. Folio, framed. 


115. THE VEDETTE. After Meissonier. 
fas Remarque Proof Etching on vellum paper, signed by 
Jacquet. Folio, framed. (No glass.) _ 

-176. LE BILLET (Two soldiers). After Meissonier. 


Remarque Proof on parchment, signed by Jacquet. 
Folio. d eaten 
21 


JULES JACOQUET—Continued. 
177 180 be Ee OF FRIEDLAND. 
sonier. 


SigNeD PROOF ON VELLUM PAPER FROM a 
PLATE. Very few impressions were taken. Thi 
ture has never been surpassed as an example 
horse and rider in action. Folio. id 


178. THE SMOKER. After Meissonier. 


Remarque Parchment Proof signed by J aes 
initialled. Folio. e 


179. THE POET. After Meissonier. 


Jacquet. Published 1902, plate destroyed. 


180. LE BILLET DOUX. After Fragonard. 


Signed Proof on Parchment. na destroy 
Folio. 


181. JULES J ACQUET. Cabinet ohotngraen soogeaphed 


FELIZ JASINSKI. 


182. LA BETE A BON DIEU. After A, Stevens. Bed 
Etching, Proof on parchment. Sm. folio. — is 


RICHARD JOSEY. After J. Morgan. 
183. TUG OF WAR. Signed India Proof, 100 issued. 


MAX KLINGER. 
Contemporary German Etcher, whose work is in demand and a 
offered for sale. iy 


184. FUSS AUF’S FESTE. a 
Small medallion Etching. ieee ‘SCARCE. 
185. SJI. ARTE. O. NATURA.. vet 
Small Etching. 16mo. Scarce. 


GASTON DE LATENAY. = 


Contemporary French Painter who has etched a few plates 
Bourcard calls ‘fan aristocrat of the trade) ee 


186. TWILIGHT. Painter Etching. 


No. 15 of 30 impressions, signed ae iB 
22 ; 4 


187. 


188. 


Tate 
190. 


ia 


192: 


dS. 


194. 


“ode ay 


B. W. LEADER. 
AN APRIL DAY. Signed J apan Proof after Leader. 


LIONEL LE COUTEAUX. After Bonheur. 


LORD OF THE HERD. 
Parchment Proof Etching, signed by both. 


SIR FREDERICK LEIGHTON (After). 
WINDING THE SKEIN. Signed India Proof. 


AN INVOCATION. Mezzotint by J. D. Miller, signed 
by both. 


WEDDED. TRISTRAM AND ISOLDE (EK. Blair 
Leighton ). 
India Proofs. Large folio. Two pieces. 


ROBERT W. MACBETH. 


RETURN FROM MILKING. After G. Mason. 
Signed Artist’s Proof Etching on Whatman paper. 


REVERIE. After Frank Dicksee. 
Parchment Proof Etching, signed -by both. 


ROSE MAIREAD. 


IN THE FOREST OF ALLIER. After Harpignies. 


Remarque Parchment Proof signed in ink by Har- 
pignies and the etcher. 


GASTON A. MANCHON. 


PAINTING LESSON. After Metzmacher. 
Etching, Remarque Proof signed by Manchon. Gilt 


frame. 
23 


NICOLAS MARTINES. 


196. OFFER OF AN UMBRELLA. After Vibert. 


Etching, first state on vellum paper, signed by both 
artists. 


ARMAND MATHEY. 


197. CHARLES I OF ENGLAND. After Van Dyck. 
Third State. 


Full length, in a landscape, horse held by an at-. 
tendant. Signed Japan Proof, only 100 issued. 
Folio. 


198. THE MORNING WALK. After Gainsborough. 
Etching, Signed Parchment Proof. Large folio. 


J. L. E. MEISSONIER. 


199. 1814 [Napoleon on Marengo]. 
Etching by L. Ruet. Signed Proof, with remarque. 
4to, framed. 


200. THE HALT. 


Etching by L. Ruet. Signed Remarque Proof. 4to, 
framed. 


201. PORTRAIT OF MEISSONIER. 
Etching by Courtry. 4to, framed. 


FRED MILLAR. 


202. COUNTESS OF OXFORD. After Hoppner. 
Engraved in pure mezzotint and printed in colors at 
one printing. 4to, gilt frame. 

203. FOUNTAIN OF PLEASURE. After Fragonard. 


Engraved in pure mezzotint and printed in colors at 
one printing. Small 4to, gilt frame. 


204. MRS. CARNAC. After Reynolds. 


Engraved in pure mezzotint and printed in colors 
at one printing. Small folio. 


24 


JOHN D. MILLER. 
Contemporary Mezzotint Engraver. 
205. SYLVIA. After Luke Fildes. 


India Proof before all letters signed by both artists. 
Folio. 


206. LETTY. After Sir Frederick Leighton. 


India Proof before all letters, signed by Sir Fred- 
erick Leighton anid the engraver. Folio. 


207. THE VESTAL VIRGIN. After Leighton. 


Artist’s Proof before all letters on India paper, 
signed by Leighton and the engraver. Folio. 


E. MILNER. 


208. PRINCESS MARY. After Van Dyck. 
MEZZOTINT PRINTED IN COLORS. Signed. Sm. 4to. 
209. MY LADY. After Romney. India proof. 
MEZZOTINT PRINTED IN coLors. Signed. Folio. 


210. THOUGHTS ON A SINGLE LIFE. After Wm. 
Ward. 


MEZZOTINT PRINTED IN coLORS. Signed India Proof. 
Oval, folio. 


211. LUCY OF LEINSTER. Companion piece. 


LOUIS MONZIES. 


912. MEISSONIER’S STUDIO AND HIS DOG. 


Etching after Meissonier from a Private Plate. Vel- 
lum proof signed by Monzies. 


F. NORDHEIM. 
German Engraver of the middle of the Nineteenth Century. 


913, THE SAN SISTINE MADONNA. After Raphael. 


Line Engraving. Fine Artist’s Proof before all let- 
ters. Large folio. 


25 


ea ee 


214. 


215. 


216. 


217. 


218. 


219. 


220. 


221. 


222. 


223. 


“MRS. POLLOCK. Sidhed Proof after Hoppttes : 


H. NORMAN. 


MRS. CUNLIFFE OFFLEY. After Lawrence. stg 
Mezzotint printed in colors. One of 300 signed ona 
proofs, and the plate destroyed. 7 


LADY CARMICHAEL. After Raeburn. 4 
Mezzotint printed in colors. One of 300, sign Li 
proofs and the plate destroyed. eae 


ANTONIO PERFETTI: 1792-1872. _ “ e 
THE CUMAIAN SIBYL. After Guercino. . ie 


LETTERS. Folio. 


JOSEPH B. PRATT. 


Contemporary Mezzotint Engraver. 


LADY HAMILTON AS MIRTH. Signed Proof € 
Romney. (epee a 
Nearly three-quarter length, 3 in a landseape. : F 
gilt frame. 


Nearly three-quarter length, seated wis a die 
landscape. Folio, gilt frame. . 


LADY LIGONIER. Signed Proof, after Gain aE 
ough. ae 
Full length, standing in a landseape. Large 
cilt frame. : 
LADY RAGLAN. Signed Proof, atten Tegeetaa - 
Half length, in a landscape. Folio, gilt frame. 


MISS BYNG. Signed India Proof, after Hoppn 
- Half length, poke-hat and fichu, in a Bost 
Only 225 proofs issued. Folio. 


COUNTESS OF WARWICK AND HEI : 
DREN. After Romney. bo 
Signed Proof on India paper. Only state, 
sued. Large folio. 


LADY HAMILTON AS A BACCHANTE. “Atte 
Brun. oa 
Signed Proof on India paper. Plate 
Large folio. Be ae 
26 


oo 227. 


228. 


229. 


. 
: 224. 
‘ 


225. 


226. 


JOSEPH B. PRATT—Continued. 


FREE ROAMERS (Cattle in the Highlands). After 
Peter Graham. 


Signed Proof on India paper of the only state. Plate 
destroyed. Very large folio, line engraving. 

THE DUEL (Two horses). After Rosa Bonheur. 
Fine India Proof, signed by Rosa Bonheur and Pratt. 
Very large oblong folio. (Corner creased.) 

A JERSEY FAMILY. After Douglas. 

Mezzotint. Open letter proof. Oblong folio. 

DON’T YOU EVER, EVER TELL. (Boy and dog.) 

After J. H. Beard. 


ae India Proof, signed by Beard and Pratt. 
olio. 


W. REDAWAY : After Frank Paton. 


OUR PET KITTEN. HER BITTEREST FOE 
(Terrier). 


Etchings. Japan Proofs signed by both artists. 
(2) 


ERNEST D. ROTH. 


TWO PALACES, VENICE. Painter Etching. 
Signed Proof on thin Japan paper. 


WALTER DENDY SADLER. 


Proofs signed by the painter and etcher. 
Attention is directed to the particularly fine impressions. 


AT THE WAYSIDE INN. Etching by A. Chiquet. 
Remarque Proof on vellum paper, signed by both. 


AUTOCRAT OF THE BREAKFAST TABLE. Etch- 
ing by James Dobie. 


Remarque Proof on vellum paper, fas by both. 
THE BUTLER. Etching by C. H. Boucher. 
Vellum paper Remarque Proof, signed by both. 


THE CUP THAT CHEERS. By James Dobie. 
Remarque Proof on vellum paper, signed by both. 
27 


234. 
230. 


236. 


237. 
238. 
239. 
240. 


241. 


242. 
243. 
244, 
245. 
246. 
247, 


248. 


WALTER DENDY SADLER—Coxtinued. 
THE DOWER. Etching by James Dobie. 
Remarque vellum paper Proof, signed by both. 


CELLAR’S BEST. Etching by James Dobie. 
Signed Remarque Proof on vellum paper. Framed. 


DISAPPOINTED ANGLERS. Etching by V. L’Huil- 
lier. 


India Proof laid into plate paper, signed by both. 
* Rare early Sadler print. 1882. 


GRANDFATHER. Etching by C. H. Boucher. 
Remarque Proof on vellum paper, signed by both. 


THE HONEYMOON. Etching by James Dobie. 
Remarque Proof on vellum paper, signed by both. 


IT MIGHT HAVE BEEN, JOHN. By Dobie. 
Remarque Proof on vellum paper, signed by both. 


THE LANDLORD. Etching by C. H. Boucher. 
Remarque Vellum Paper Proof, signed by both. 


THE LOVE LETTER; THE ANSWER. Etchings by 
Jules Jacquet. 


Remarque Proofs in vellum paper, signed by both. 
A‘Paits da) 


MARRIAGE BY REGISTRAR. By W. Boucher. 
Remarque Proof on vellum paper, signed by both. 


MATED. Etching by James Dobie. . 
Remarque Proof on vellum paper, signed by both. 


MEMORIES. Etching by Maurice Deville. 
Remarque Proof on vellum paper, signed by both. 


THE MIDDLEMAN. Etching by C. Gaujean. 
Proof on vellum paper, signed by both. 


PARSON AND SQUIRE. Etching by C. O. Murray. 
Remarque vellum paper proof, signed by both. 
PATIENCE. Etching by C. H. Boucher. 
Remarque vellum paper proof, signed by both. 


PIPE AND GLASS. Etching by C. O. Murray. 
Remarque Proof on vellum paper, signed by both. 
ao 


WALTER DENDY SADLER—Continued. 
249. THE NIGHT CAP. Etching by James Dobie. 
Remarque Proof on vellum paper, signed by both. 


250. RIGHT OF WAY. Etching by James Dobie. 
Remarque Proof on vellum paper, signed by both. 
* A very popular print, and justly so. 


251. THE SKIPPER’S BIRTHDAY. By L. Muller. 
Remarque vellum paper Proof, signed by both. 
252. SOWING THE WIND (Mr. Brabazon). By Dobie. 
Remarque vellum paper Proof, signed by both. 
253. TIME HONORED GUEST. Etching by Jas. Dobie. 
Remarque vellum paper Proof, signed by both. 
254. THE VICTIM. Etching by C. Gaujean. 
Vellum paper Proof, signed by both. 
255. VILLAGE GOSSIPS. Etching by James Dobie. 
Remarque vellum paper Proof, signed by both. 


256. WHIG AND TORY. Etching by C. H. Boucher. 
Remarque vellum paper Proof, signed by both. 

257. THE WINE COMMITTEE. Etching by A. J. Turrell. 
Remarque Proof on vellum paper, signed by both. 

258. OLD FOLKS AT HOME: on Japan vellum paper. 

3 r . Photogravure. Proof signed by the Painter. 

: 259. TO MINE HOSTESS: on Japan vellum paper. 

a Photogravure. Proof signed by the Painter. 


260. A GOOD STORY. Photogravure, India Proof. 


261. AN OFFER OF MARRIAGE. Etching by A. Mongin. 
Lettered proof on China paper, laid into plate paper, 
colored. 


LEON SALLES. 


262. DUCHESS OF DEVONSHIRE. After Downman. 
Half length in oval. Stipple engraving in colors, 
Signed by Salles. Gilt frame. 

263. LADY MARJORIE JENKINS. After Downman. 


Half length in oval. Stipple engraving in colors. 
Signed by Salles. Gilt frame. 


29 


264, 


265. 


266. 


267. 


268. 
269. 


270. 


271. 


272. 


273. 


274. 


HERBERT SED COLE. 


THROUGH THE CRISP AIR. After J. vara 


Mezzotint. India Proof signed by both artists. 
folio. cai 


SIR FRANK SHORT. 


President of the R. 8. of Painters and Engravers. 


MOONRISE. After Alfred East. 


Proof on vellum paper, signed by Sir eye sg 
and the painter. One of the rare TGAZ OS f°) 
engraver. Small folio. eerie | 


ALFRED J. SKRIMSHIRE. 


- Contemporary English Engraver in Mezzotint, 
THE BLUE BOY. After Gainsborough. | ) 
Mezzotint printed im colors; one yee 200 j mprés | 


THE PET RABBIT. 
-Mezzotint printed in colors. Signed 1 Proof. 


FRED. SLOCOMBE, a y 
VILLAGE OF BASING. Etching, 
Signed Remarque Proof on Japan ee 


WATER MILL. Etching on Japan paper. 
Signed Remarque Proof. Folio. a 


WHERE MANY BRANCHES MEET. Etching 
Signed Proof on Japan vellum paper. Narrow fc 


LIONEL SMYTHE. 


VELLUM PAPER. 


NATHANIEL SPARKS. 

THE NATIONAL GALLERY. Painters Et 
Signed Proof on thin Japan paper. — . 
“TOWER BRIDGE. Painter ease 


paper. ' oe ee 
WATERLOO BRIDGE. Painter Etchi ig. 
Signed Proof on thin Japan pauegs 

30 ~ 


‘ 

; 
is 
BS 
i, 

; 


275. 


276. 


277. 


278. 


279. 


280. 


281. 
282. 
283. 
284. 
285. 


286. 


287. 


SPORTING PRINTS. 


FOOT BALL MATCH. After Overend. 
India Proof. Large folio. 
CAMBRIDGE COACH LEAVING BELLE SAUV- 
AGE YARD, LUDGATE HILL. 
By C. Hullmandel after Pollard, in couors. Folio. 
IN FULL SWING (Coaching Scene). 
India Proof after Alken. Folio. 
OUR NORTH COUNTRY JOCKEYS. In colors. 
With key. 
Open Letter Proof engraved by Stock after Veal. 
Large folio. 
* This and the following from ‘‘McQueen’s Racings.’’ 
FIRST PAST THE POST, 1888. . In colors. 
Open Letter Proof by Stock after Harrington Bird. 
OUR LEADING JOCKEYS OF THE DAY. In colors. 
Open Letter Proof by E. G. Hester after Veal. With 
key. 
GOODWOOD: THE FINISH. Plate 6. In colors. 
After J. Beer. Large folio. 
RESTIVE AT THE POST. In colors. 
By Ch. Hunt & Sons after Herring. Open Letter 
Proof. Folio. 


WARWICK: AT THE BEND. Color print after 
Havell. 


MANCHESTER: A REFUSAL. Color print after 
Havell. 


COURSES DE CHANTILLY, 1835. 
In colors after Eugene Lami. Oblong folio. 


THE HALT AT THE BLACK SWAN. McQueen’s 
Coachings. 
Open Letter Proof in colors. Oblong folio. 


F, STACPOOLE. 


STOUT HEARTS (Girl and dog). After C. B. Barker. 


Mezzotint. India Proof, signed by Barker and Stac- 
poole. Folio. 
31 


288. 


289. 


290. 


291. 


292. 


293. 


294. 


295. 


296. 


297. 


298. 


F. G. STEVENSON. 


Contemporary English Engraver in Mezzotint. 


LITTLE MARY. After Beechey. 


Signed Proof, mezzotint, printed in colors. Small 
folio, framed. 


THE SALAD GIRL. After Hoppner. 
Mezzotint printed in colors. Signed Proof. 
COUNTESS OF SALISBURY. After Reynolds. 
Mezzotint printed in colors. Signed Proof. 
HENDRICKJE STOEFFELS. After Rembrandt. 
Mezzotint printed in colors. Signed Proof. 
LUCREZIA TORNABUONI. After Botticelli. 
Mezzotint printed in colors. Signed Proof. 


LA BELLE FERRONNIERE. After L. Da Vinci. 
Mezzotint printed in colors. Signed Proof. 


L. STOCKS. 


UNCLE TOBY AND THE WIDOW. After Leslie. 
Line engraving. India Proof before the title. 


MARCUS STONE (After). 
LOVE AT FIRST SIGHT. India Proof, signed. 


THE SPEAKING WELL. India Proof, line engrav- 
ing. Unsigned. (2) 


E. M. SYNGE. 
Contemporary Hitcher. 
BARGE BUILDERS’ SHED. Painter Etching. 
A beautiful Venetian subject. Signed Proof. Small 
folio. 
IN THE GARDEN, VILLA BORGHESE. Painter 
Etching. 
Signed Proof. 


HAY BARN, CORTINA. Painter Etching. 


Signed Proof. 
32 


E. M. SYNGE—Coxtinued. 
299. SAN BERNARDINA. Painter Etching. 
Signed Proof on English hand-made paper. 
300. A GATEWAY, AMMERSHEUER. Painter Etching. 
: Signed Proof on English hand-made paper. 
301. OLD COURTYARD, ALSACE. Painter Etching. 
Signed Proof. 


302. COURTYARD, PARIS. Painter Etching. 
Signed Proof. 


303. LITTLEHAMPTON. Painter Etching. 
Signed Proof. 


L. ALMA TADEMA. 


304. ASK ME NO MORE. After Alma Tadema. 
India Proof, signed by the artist. Large folio. 


305. CONVERSION OF PAULA. After Alma Tadema. 
India Proof, signed by the artist. Large folio. 


EUGENE TILY. 


306. MRS. CARNAC. Full length, after Reynolds. 
Stipple Engraving, in colors, on India. 


307. LADY WALKING WITH HER DOG. After Morland. 
ea ash Stipple Engraving in colors. Parchment proof 
signed by Tuily. 
* This and the following are after the English Eighteenth 
Century plates characteristic of Morland. 


308. LADY SEATED UNDER A TREE WITH HER 
DOG. After Morland. 
Stipple Engraving in colors. Signed parchment 
proof by Tily. 
309. LADY SEWING AND HER CHILDREN. After 
‘ _ Morland. 
Stipple Engraving in colors. Signed parchment 
cod | proof by Tily. 
——s-310.. YOUNG GIRL WITH DOG. After Morland. 


Stipple Engraving in colors. Signed parchment 
proof by Tily. 
33 


311. 


312. 


313. 


314. 


315. 


316. 


317. 


318. 


VAUGHAN TROWBRIDGE. 


COUR D’ALBANE, ROUEN. Painter Etching. 
No. 11 of 18 impressions; signed artist’s proof, very 
delicately printed. 


JEAN VYBOUD. 


ELIZABETH DE FRANCE. Daughter of Henry IV. 


After the painting by Rubens. Remarque vellum 
proof signed by Vyboud before the margins were 
cleaned. 


* With the initialled inscription by Vyboud that the impres- 
sion was specially printed for Mr. Bateman. The work is said - 
to have occupied about five years of the etcher’s time. The 
plate has been destroyed. 


THE LAUGHING CAVALIER. After F. Hals. 


First state, impression on parchment signed by 
Vyboud. 


WILLIAM WALKER. 


FIVE ETCHINGS OF CAMBRIDGE COLLEGES. 


Christ’s College Gateway. The Backs. 

King’s College Gateway and Chapel, South Porch. 

St. Edward’s Tower and King’s College Chapel. 

Painter Etchings with notes by P. G. Konody. 

(5 pieces. ) 

* The Edition limited to 60 sets and the plates destroyed. 
Folio, in specially made lettered portfolio, half undressed leather. 
London and Glasgow, 1910. 

WESTMINSTER ABBEY; WEST FRONT. 

Painter Etching. Signed Proof. Impression on 

hand-made paper. Small folio. 

ST. FRANCIS PAOLA, NICE. Signed Proof. 

On special paper. Painter Etching. ~ 


BLACKFRIARS BRIDGE. Painter etching. 
Signed Proof, delicately printed, on hand-made 
paper. 


CHARLES WALTNER. 


THE CHINA VASE. After Fortuny. 
First state. Parchment Proof signed by Waltner. 
34 


Be cchisite ae Proof of the pulpit and part of the 
Ee | 


‘ ae salami: Signed Proof on mbhed paper. 


Bis 1893. Painter Etching. 
Signed Proof. 


JOHN COTHER WEBB. 
Contemporary English Engraver in Color. 


“PRINCE CHARLES. After Van Dyck. 
% - Mezzotint printed in colors. Signed Proof. 


SYDNEY E. WILSON. 
English Mezzotint Engraver and Color Printer. 


NINA. After Greuze.. 

“ ~ Mezzotint, oblong oval. Signed Proof, fine impres- 
sion on India paper printed in brown. Gilt frame. 
* A young girl half length lying on a pillow. 


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